The Concha, Night-time
Regoyos y Valdés, Darío de
Ribadesella, 1857 - Barcelona, 1913
The Concha, Night-time, c. 1906 (La Concha, nocturno)
Signed lower right: 'Regoyos'
Carmen Thyssen-Bornemisza Collection on loan to the Museo Carmen Thyssen Málaga.
Oil on canvas
54 x 65 cm
CTB.1996.54
Artwork history
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Luis Muller, Granada.
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Estate of the artist.
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Sotheby’s, Madrid, November 21, 1996. Lot 54.
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Carmen Thyssen-Bornemisza Collection.
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-Darío de Regoyos. [Exhib. Cat.]. Granada, Banco de Granada, 1973 , pp. 57, 64, lám.
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-Darío de Regoyos. Un espagnol en Belgique: November 12-December 22, 1985, Banque Bruxelles Lambert, Bruxelles. [Exhib. Cat.]. Bruxelles, Banque Bruxelles Lambert, 1985 , p. 63.
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-Darío de Regoyos, 1857-1913. [Exhib. Cat. Barcelona, Fundació Caixa de Pensions – Madrid, Fundación Caja de Pensiones, 1986-1987]. Madrid, Fundación Caja de Pensiones, 1986 , p. 217, 295, lám. [Sheet by San Nicolás].
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-Puente, J. de la y San Nicolás, J.: Regoyos. Barcelona, 1988. Los genios de la pintura española, vol. 19, p. 91, lám. 44, lám.
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-Darío de Regoyos y el País Vasco. San Nicolás, Juan (ed.). [Exhib. Cat.]. San Sebastián, Fundación Kutxa, 1994, [Sheet by San Nicolás].
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-Sotheby’s (aut. corp.): Pintura antigua y de los siglos XIX y XX. [Auction Cat.]. Madrid, November 21,1996 , n. 54, lám. [Sheet by Juan San Nicolás].
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-Del vedutismo a las primeras vanguardias: obras maestras de la Colección Carmen Thyssen-Bornemisza. Llorens Serra, Tomàs (ed.). [Exhib. Cat. Bilbao, Museo de Bellas Artes de Bilbao]. Madrid, Fundación Colección Thyssen-Bornemisza, 1997, n. 39, p. 142. [Sheet by Juan San Nicolás].
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-Colección Carmen Thyssen-Bornemisza. Arnaldo, Javier (ed.). 2 vols. Madrid, Fundación Colección Thyssen-Bornemisza, 2004, vol. 2, p. 186, lám. p. 187 [Sheet by Juan San Nicolás].
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-Bozal, Valeriano: Darío de Regoyos. Madrid, Fundación Mapfre, 2011, pp. 72-73, lám. p. 73.
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-Darío de Regoyos (1857-1913). La aventura impresionista, Bilbao, Museo de Bellas Artes de Bilbao; Madrid, Museo Thyssen-Bornemisza; Málaga, Museo Carmen Thyssen Málaga, 2013, n. 87, pp. 175 (lám.) y 254. [Exhib. Cat.]
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-Museo Carmen Thyssen Málaga. Colección. Catálogo razonado, Fundación Palacio de Villalón, Málaga, 2014. P. 370-371 [Sheet by Juan San Nicolás].
Expert report
From the very beginning of his career as a painter Regoyos was strongly attracted to night scenes, both indoors and out. This predilection led him to paint many such subjects in oil throughout his life. This night-time view of La Concha beach in San Sebastián dates from his mature Impressionist period and was completed during a stay in that city from 1905 to 1906, where he lived at 8, Calle Trueba. Regoyos masterfully captured the classic ambience of the dusk with people chatting on a promenade overlooking a calm sea. In the background are the silhouettes of Mount Igueldo and the island of Santa Clara in a view barely disturbed by a single passing vessel.
The play of light and shade is offset against the dark branches in the foreground at upper left. This recurring theme in Regoyos’s work enabled him to produce an exquisite foreground light through the combination of the green of the foliage and the blue, mauve and ochre filling the rest of the picture. In keeping with his normal practice, the centre of the picture is composed of horizontal and diagonal lines distributed within the pictorial space in a balanced way. As almost always, human figures are positioned equidistantly across the composition, here suggesting the typical repose and intimacy characteristic of this Impressionist artist’s approach to the human form.
Juan San Nicolás